Category Archives: Post-Production

  1. Final Cut and Cast and Crew Party

    How time flies! It was a year ago when Rae, Rae’s parents, JP, and I travelled to China to start production on Autumn Gem. Earlier last month, we’ve completed the final cut of the film. Tomorrow afternoon, we’ll be showing it to the first time at our cast and crew screening party! An so begins [...]

  2. How I Learned to Hate Scrolling Credits

    One of the very last things to complete with Autumn Gem has been the final credits sequence. I’ve been struggling mightily over the past few weeks trying to get the credits to scroll properly without jerkiness or stuttering. I’ve read all of the forums and tried many of the tips and tricks people have suggested, [...]

  3. Subtitles

    While we finish up the audio mixing with Matt this week, we decided to make a change to the look of our subtitles in Autumn Gem. Up until today, we’ve been using Final Cut’s standard Text generator to create our subtitles. Here’s a screenshot of what our subtitles used to look like: This afternoon, I [...]

  4. ADR Wrap Up

    We’ve completed our ADR recording yesterday at Matt’s house. Preston was the final actor to come in and record his lines. Now, Rae and I are off to make the final picture lock on the film while Matt continues his audio mixing magic. Here are some photos from the past three weeks of ADR work [...]

  5. Final Cut Tips for Documentary Filmmakers

    Rae and I have learned quite a bit about using Final Cut to create our documentary, Autumn Gem. Here are some tips that will save you a lot of time when putting together your film. Backup regularly Run Final Cut Pro on a clean system Get out of GOP and embrace ProRes 422 Use whole [...]

  6. Gamma Gamma Gamma

    Lately, the numbers 0.82, 0.84, 0.88, 1.0, 1.24, 1.3, and 1.4 have been foremost on my mind. These are the gamma correction values that I find myself frequently applying to video clips coming into and out of Apple’s Final Cut Pro, Color, Compressor and DVD Studio Pro software. Although I’ve read numerous articles on the [...]

  7. Picture Lock and Compressor

    Here’s a screenshot from the Mac OS X Activity Monitor showing all eight cores on our Mac Pro working hard to encode Autumn Gem into a DVD. Our documentary is about 60 minutes long, and it takes roughly two hours to perform a 2-pass MPEG-2 encode. As of today, we’ve created five different cuts of [...]

  8. White Balance and Color Grading

    During the filming of Autumn Gem, we used Phoxle SpectraSnap White Balance Filter 1 to set a custom white balance for each scene. I’ve used many white balance products in the past, including ExpoDisc, WhiBal, and gray cards, and I’ve found the SpectraSnap to be one of the better products out there. Its ability to [...]

  9. How Time Flies… and the Third Cut

    How time flies! A year ago this time, we were planning our trailer shoot and preparing for our trip to China. The film has been built out in six month increments. Rae started pre-production work around July of last year. We started filming in January, wrapping things up around the middle of June. The past [...]

  10. Rough Cut Completed!

    We’ve reached an important milestone with the film today with the completion of the rough cut of The Qiu Jin Project: Autumn Gem! It took me 22 hours to go from picture lock to burning the first DVD; the long delay was a result of my supreme struggle to get Final Cut to export the [...]

  11. Three-Inch Golden Lotuses

    At the age of four or five, a young Chinese girl growing up during the 10th and early 20th centuries would begin the process of foot binding. Her feet would be broken and bound into tight bandages for the next ten to fifteen years. The goal was to achieve the desired size of the three-inch [...]

  12. Wushu ala Final Cut

    This afternoon, we edited a scene from our filming of the Chinese Women’s Army at Tilden Park in Berkeley. Li Jing, who plays Qiu Jin in the documentary, is running through a hand form. Nine takes were used to construct this scene. One take was a wide shot which we use to start the sequence. [...]

  13. Editing Continues Its Inexorable Progress

    We’ve been hard at work editing the film over the past two months, hence our long delay between posts. It seems once filming is done, the only “exciting” photos we have to share is us sitting in front of our computers staring at Final Cut and Aperture! So far, we have assembled nearly 50 minutes [...]