AAS Conference

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Wednesday night was the start of the Association for Asian Studies Conference, and after our screening at Hawai’i Pacific University we headed over to the Hilton Hawaiian Village Resort to enjoy the welcome reception.

The Association for Asian Studies (AAS) is the largest worldwide scholarly professional association for those interested in the study of Asia. Last October, we attended their Western Regional Conference, held at California State University Northridge. This year’s conference was a much larger affair, a joint event with the International Convention of Asia Scholars (ICAS), held at the Hawai’i Convention Center.

With over 5000 attendees, the Convention Center was bustling with activity, and we ran into several people we met over the course of our screening tours. We also saw the three scholars whom we had interviewed for our film: Amy Dooling, Lingzhen Wang, and Hu Ying, and it was great reconnecting with them all at the same place.

Prior to our panel, we attended some other sessions, including “Rethinking the 1911 Revolution” which was moderated by Mary Rankin, who had written an invaluable study of Qiu Jin, “The Emergence of Women at the End of the Ch’ing: The Case of Ch’iu Chin” in Margery Wolf and Roxane Witke’s book Women in Chinese Society.

We also caught a few movies playing in conjunction with the conference, including 1428, a documentary on the devastating 2008 Sichuan earthquake and the recovery efforts by government agencies and survivors, and Ruby Yang’s Tongzhi in Love, a poignant account of the conflicted lives of gay men in Beijing.

Our panel, “Word and Image in Chinese Film Adaptation,” was organized by Professor Tze-Lan Sang from the University of Oregon. The five panels covered a range a topics in analyzing the adaptation of literary works onto film, and included presentations by Xiaoquan Zhang from the University of Oregon, Alexander Huang from Pennsylvania State University, Hsiu-Chuang Deppman from Oberlin College, and Tze-Lan Sang, with Lingzhen Wang as the discussant.

Prior to the panel, we had lunch with our fellow presenters, all of whom we met for the first time (except Lingzhen Wang). I discovered that Alexander Huang, who had recently written a book called Chinese Shakespeares: Two Centuries of Cultural Exchange, is a colleague of my uncle in Taiwan, who is also a Shakespeare scholar. We also found out some more information about the upcoming feature film on the Xinhai Revolution currently in production in China. Simply titled 1911, it’s directed by Jackie Chan, who plays revolutionary leader Huang Xing. The role of Qiu Jin is played by Ning Jing, whom we’re not familiar with, but in any case we’re looking forward to seeing this when it comes out in September!

We had a tight schedule with our five presentations squeezed into a 2-hour session, but it went fairly smoothly, with a few of us having to shorten our talks a bit to fit into the time limit. Adam served as tech coordinator to help transition between the multiple presentations, and there was time to get in some thoughtful audience questions as well as Lingzhen Wang’s insightful commentary.

Overall, it was a constructive and enlightening experience, and we had a great time participating in the conference. Thanks to all our fellow panelists for a fantastic job!

Here are photos from the AAS Conference.

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Hawai’i Pacific University Screening Recap and Photos

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We had two events at Hawai’i Pacific University, part of their weekly Viewpoints Film Series. At the first screening Professor William Zanella, who teaches Chinese history and Mandarin, introduced the film and provided historical background for this critical juncture in China’s modernization.

We had a full house of students and community members at both screenings, held at the downtown HPU campus near Honolulu’s Chinatown. An interesting point brought up at the Q-and-A was the connection between the feminist movement in China and other countries. The British and U.S. women’s suffrage movements were gaining momentum at the same time that Qiu Jin and her cohorts were fighting for their rights. Also during this period was the development of a radical feminist movement in Iran. Were these women influenced and inspired by each other, tapping into a similar energy worldwide? Qiu Jin, for example, specifically mentions contemporaries like Harriet Beecher Stowe and Florence Nightingale as role models for Chinese women.

Many thanks go out to Professor Linda Lierheimer, coordinator of the Viewpoints Film Series, and her student assistant Tim for putting on a successful event. We especially enjoyed the free pizza and snacks provided by the History Department, which made for a festive atmosphere!

Here are photos from our Hawai’i Pacific University screening.

University of Hawai’i at Manoa Screening Recap and Photos

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We were very excited to show our film in conjunction with the “Rethinking the Chinese Revolution: 1911 in Global Perspective” Conference at the University of Hawai‘i at Mānoa. The event was organized by the Center for Chinese Studies and Confucius Institute and held at the East-West Center on the UHM campus.

Hawaii holds a special place in relation to the 1911 Revolution since it was where Sun Yat-sen spent his formative years. He attended the Iolani School and later studied at Punahou School, whose famous alumni also includes President Obama. His education in Hawaii had a strong impact on his political ideals, and he later incorporated the American concept of “government of the people, by the people, for the people” into his revolutionary principles.

While checking into the hotel, we ran into Amy Dooling, one of the scholars in our film, who was speaking on a panel called “The Gender of Revolution.” One of the larger questions in light of the 1911 Revolution centenary is the role of women, and we were glad to see this subject addressed at the conference.

At the hotel we also saw Tamara Jacka, our contact at Australian National University, who was in town for the upcoming Association for Asian Studies Conference. It was great reconnecting with her, and we’d be seeing many of our other past screening acquaintances at the conference itself.

We had a great turnout for our screening at the Art Building Auditorium, due in large part to the extensive promotional efforts of our local contacts Leigh-Wai Doo and Marsha Joyner. We met Leigh-Wai back in 2009 at one of our first events, at the US-China Peoples Friendship Association National Conference in San Francisco. Leigh-Wai is involved in several organizations including the Dr. Sun Yat-sen Hawaii Foundation, Palolo Chinese Home, and United Chinese Society. Besides being a pillar of the Chinese community in Hawaii, his grandfather was an early supporter of Sun Yat-sen and one of the 72 National Martyrs of Revolutionary China.

Marsha Joyner came across our film while researching Chinese women revolutionaries. A life-long civil rights activist and former president of The Dr. Martin Luther King, Jr. Coalition in Hawaii, she was initially drawn by the issue of footbinding and Sun Yat-sen’s efforts to bring women into the political process. She’s been a fantastic supporter of the film and has helped us get involved in many of the centenary events in the area.

Many thanks also to Frederick Lau, Director of the Center for Chinese Studies, Cynthia Ning, Director of the Confucius Institute, Professor Shana Brown from the History Department who was our initial contact, and CCS coordinators Daniel Tschudi and Jialin Sun for hosting us. We had a fantastic time participating in the conference, which was an excellent lead-in to the upcoming Association for Asian Studies event.

Here are photos from our University of Hawai’i at Manoa screening.