Our Autumn Gem Preview app for the iPad made Apple’s New and Noteworthy list on Apple’s App Store. Check it out!
Thanks to Ivan at XBureau, the developers of the app, for catching this!
We’re pleased to announce the immediately availability of the Autumn Gem Preview application for the iPad!
Using selected video clips, archival materials, and interactive features, Autumn Gem Preview introduces you to this fascinating figure through an extensive trailer of the film.
On the home screen are three Chinese characters: Woman, Sword and Country. Tapping on each character will take you to a different section of Qiu Jin’s life.
Learn about the oppressive conditions imposed upon women during Qiu Jin’s time and her struggle to break free of them. Follow her path from childhood as a privileged daughter of an official’s family, to a young woman forced into the traditional roles of marriage and motherhood, to her rejection of those roles and her transformation into a radical women’s rights advocate.
See how she became involved in a rebellious plot to overthrow the last dynasty in China. Use your fingers to control Qiu Jin as she trains in martial arts to prepare herself for battle.
Autumn Gem Preview provides a unique experience that introduces you to the compelling story of modern China’s first feminist.
You can download it from the iTunes App Store today.
Note: Due to the size of the application, we recommend you download it using a WiFi connection or via iTunes.
During the filming of Autumn Gem, we used Phoxle SpectraSnap White Balance Filter 1 to set a custom white balance for each scene. I’ve used many white balance products in the past, including ExpoDisc, WhiBal, and gray cards, and I’ve found the SpectraSnap to be one of the better products out there. Its ability to fit a wide variety of lenses, including the two Sony videocameras we used to film the documentary, was key. I also appreciated the fact that it is a shoot-through white balance filter; I’ve found the accuracy of those to be higher than reflected light WB filters.
In the film, however, we’re not always looking to have a neutral color tone throughout our scenes. Getting neutral-looking footage, however, makes it easier to color correct — or color grade, as it’s called in the film industry — afterwards. I’ve been using a combination of Final Cut’s Three-Way Color Corrector filter and Apple’s Color application to perform various color grading tasks.
Here are screenshots of a before and after scene from Autumn Gem. The photo on the below is what was recorded by the the camera. As you can see, there is still a slight cast to the photo, even when using the SpectraSnap. I suspect that’s because the lights we used to light the background versus the foreground were different.
The next photo is the same scene that was corrected using Color. I set up a number of Secondary Rooms to apply color corrections to only specific parts of the scene such as the walls or Qiu Jin’s outfit.
Once we have picture lock on the film, I’ll continue to color grade certain scenes from the film. Not all scenes require such work, and for those, the built-in Three-Way Color Corrector in Final Cut does as admirable job. For more complex scenes, however, Color is a powerful tool for getting the look that we want out of the film.
1 Phoxle is run by Chris Pedersen, a friend of mine whom I know from my Camera Owners of the Bay Area user group meetings.